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8 January 1836 – 25 June 1912. Most renowned painters.

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Lucas Cranach the Elder
Kopf des Amor

ID: 92378

Lucas Cranach the Elder Kopf des Amor
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Lucas Cranach the Elder Kopf des Amor


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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar. German painter and printmaker. He took his name from the town of his birth. Little is known about his early life or training. In Vienna (c. 1501 ?C 04) he painted some notable portraits and landscapes characteristic of the Danube school. From 1505 to 1550 he was court painter in Wittenberg, where he achieved great success and wealth painting portraits, mythological subjects, and altarpieces for Protestant and Catholic churches. He attracted so many young artists to Wittenberg that the town became an art centre. A friend of Martin Luther, Cranach became known as the chief pictorial propagandist of the Protestant cause in Germany. He produced numerous engravings and more than 100 woodcuts, notably for the first German edition of the New Testament (1522). After his death, his style was perpetuated by his son, Lucas the Younger (1515 C 86).  Related Paintings of Lucas Cranach the Elder :. | Das goldene Zeitalter | Venus and Cupid | The Three Graces | Prinsessa of Saxony | The Crucifixion |
Related Artists:
William Glackens
1870-1938 William Glackens Galleries William James Glackens (March 13, 1870?CMay 22, 1938) was a U.S. realist painter. Glackens studied at the Pennsylvania Academy of the Fine Arts and later moved to New York City, where he co-founded what came to be called the Ashcan School art movement. This group of artists, dubbed by the press "the Eight Independent Painters" or The Eight, chose to exhibit their works without pre-approval by the juries of the existing art establishment. He became known for his dark-hued paintings of street scenes and daily life in the city's neighborhoods. His later work was brighter in tone, and showed the influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
Adam Albrecht
1786-1862, was a German painter of battles and horses. Born in Nordlingen, he began an apprenticeship as a confectioner and went in 1803 to Nuremberg to begin his training. However, influenced by the director of the Academy of Fine Arts of Nuremberg and later by Johann Rugendas, he turned towards painting - mainly battlefields and horses. After participating in the Austrian campaign of 1809, he stayed for a time in Vienna, where he drew the attention of Napoleon's stepson Eug??ne de Beauharnais and was appointed his court painter. Most of Adam's subsequent works deal with Napoleon's Russian campaign, in which he participated under de Beauharnais. Among other works, he painted a diary of the campaign in 83 scenes. In 1815, Adam moved to Munich, where he was occupied by the emperors and kings of Bavaria and Austria. His studio in Munich was frequently visited by Theodor Horschelt, who later became well known for his paintings of Russian Caucasian War. He worked until a great age, recording battles and portraying horses, even though in his late works he was supported by the help of his sons, Benno, Eugen and Franz. He died in Munich.
Alfred Wallis
British 1855-1942 1942). English painter, fisherman and scrap merchant. Although the exact date of Wallis birth is doubtful, he stated in letters to Jim Ede, one of his greatest patrons, that he was born on the day of the fall of Sebastopol. He claimed to have gone to sea at the age of nine and was involved in deep-sea fishing, sometimes sailing as far as Newfoundland. About 1875 he married Susan Ward, a woman 21 years his senior, and shortly afterwards gave up deep-sea fishing to become an inshore fisherman. In 1890 he moved to St Ives, Cornwall, where he set up as a marine scrap merchant. In 1912 he retired. His wife died in 1922, whereupon he took up painting to keep himself company, as he told Ede.






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